- Collection Overview
- Collection Description & Creator Information
- Access & Use
- Collection History
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The Homeless – The Mildred Andrews Fund, 1987 October 12-1990 May 28
Collection Description & Creator Information
The George Segal Papers document over sixty years of the artist's life and include materials relating to almost every aspect of his creative work: photography, exhibitions, critical reception, activity within the art world, and personal interests beyond that of sculpture. The collection includes artwork, photographic prints and slides, negatives, handwritten and typed correspondence, book drafts and articles, audio and visual media, notebooks and early school assignments, photocopied newspaper clippings, exhibition catalogs and posters, and the photography of Donald Lokuta.
One of the most unique aspects of the collection is a series of artwork produced by Segal during his early education as an artist. These sketches and paintings in a variety of media highlight the heretofore unknown development of Segal's approach before and during his establishment as a major artist and feature many themes that prefigure his later work in sculpture, including sensuality and urban environments.
The bulk of the collection (and also representing a rarely seen aspect of Segal's art) is a collection of photographic prints produced over the course of some sixteen years towards the end of Segal's life. These prints chronicle Segal's interest in photography and his fascination with the environs immediately surrounding his home in South Brunswick, New Jersey, as well as New York City and cities abroad.
A large part of the collection consists of business files on a variety of topics that span Segal's entire career. Rich in information and opinion, this material provides a wide and varied portrait of the man as well as the artist, lending particular insight into the interpersonal relationships Segal had with family and friends (often used as models in his sculpture). This is demonstrated by personal correspondence and intimate photographs present in the collection.
At the same time, Segal was very active in regard to creating, exhibiting and speaking about his own artwork evidenced by the bulk of business correspondence relating to the production and exhibition of his work, numerous photographs of Segal sculpting, decade's worth of interviews and awards recorded on visual and audio media, and over fifty years of newspaper and magazine clippings that trace his career and celebrity. Segal's personal and other artistic interests are reflected in the causes he was a part of, the projects and commissions he was involved in, and the photography he created.
- Custodial History:
Files, photographs, and artwork were gathered from the Segal home, office, and studio.
- Archival Appraisal Information:
Personal family photographs were returned to the Segal family.
Access & Use
- Access Restrictions:
The collection is open for research.
- Conditions for Reproduction and Use:
Works of art rendered in any medium (including ink, pencil, and crayon) and on any support (including sketchbooks, paper, board) and in any form (including doodles and illustrated assignments), as well as photographs by George Segal and any art works by George Segal depicted in photographs are copyright The George and Helen Segal Foundation. Photoduplication for personal scholarly use is permitted. Reproductions for the purpose of publication, whether in print or electronic media, must be authorized in writing by The George and Helen Segal Foundation or its licensing VAGA (Visual Artists and Galleries Association), New York City.
Rights and permissions of the Donald Lokuta photographs are retained by the creator. Photoduplication is permitted for personal scholarly use only. Reproductions for the purpose of publication, whether in print or electronic media, must be authorized in writing by Donald Lokuta or his licensing agent VAGA (Visual Artists and Galleries Association), New York City.
Beyond Segal and Lokuta, the library has no information on the status of literary rights in the collection and researchers are responsible for determining any questions of copyright. Single photocopies may be made for research purposes. No further photoduplication of copies of material in the collection can be made when Princeton University Library does not own the original. Inquiries regarding publishing material from the collection should be directed to RBSC Public Services staff through the Ask Us! form.
- Special Requirements for Access:
For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media, but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Patrons may request digital copies of original analog media, but will be responsible for the cost of digital conversion, payable in advance. Turn-around time for such requests will depend on the size and scope of the project. Requests should be directed to Special Collections Public Services staff through the Ask Us! form.
- Credit this material:
The Homeless – The Mildred Andrews Fund; George Segal Papers, C1303, Manuscripts Division, Department of Special Collections, Princeton University Library
- Firestone LibraryOne Washington RoadPrinceton, NJ 08544, USA(609) 258-3184
- Storage Note:
- Firestone Library (mss): Box 43
- Sidney Janis Gallery
Johnson Atelier Technical Institute of Sculpture
Erffa, Helmut von, 1900-1979
Friedman, Martin L., 1917-
Janis, Sidney, 1896-1989
Lokuta, Donald P.
Miller, Samuel C. (Samuel Clifford), 1930-
Segal, George, 1924-2000
Van der Marck, Jan, 1929-2010
Weisman, Frederick R., 1912-1994