This subseries contains subject files arranged by the artist of material relating to major and minor exhibitions. Segal's work was featured in over one hundred one-man exhibitions and over three hundred group exhibitions within his lifetime. Segal himself was often involved in the preparation, arrangement, lending, installation and shipping of his artwork and thus kept files containing the correspondence, invoicing, insurance, check-lists and photographs that would correspond to these large and often long-term engagements. He would also provide interviews for catalog texts and subsequently edit them. Thus the content of these files is varied and includes travel arrangements, financial accounting information, shipping invoices, correspondence with various institutions and private individuals, catalog texts, photographs, records of repair, and tourist materials.
This subseries is not comprehensive. Researchers interested in a particular show or correspondent should reference files in 3C: Business Correspondence by Year dated at least a year prior and a year after the opening date of a specific exhibition, or for information on exhibits not listed here.
Folder titles are derived from the name of the host institution and the year in which the show opened.
Arranged alphabetically by host institution.
Includes correspondence relating to a repair of The Hustle.
"George Segal" at Takanawa Museum of Art (Karuizawa) ; The Seibu Museum of Art (Tokyo) ; The Toyama Prefectural Museum of Modern Art (Toyama) ; The National Museum of Art (Osaka). Includes an invitation to participate in the Second Kotaro Takamura Grand Prize Exhibition at the Hakona Open-Air Museum.
Includes color and black and white photographs of the installation and lecture.
Includes a letter to Joan Mondale.
1996 Japanese retrospective "George Segal: Recent 15 Years." Principal correspondents: Akiyoshi Tokoro, Galerie Tokoro ; Douglas Caulk, Caulk Art Services; Martin Friedman ; David Janis, The Sidney Janis Gallery ; Matteo Lorenzelli, Lorenzelli Arte.
October 1995 exhibition "George Segal, New Photo Sculpture" at the Fred Hoffman Gallery. Principal correspondents include Sam Hunter ; Fred Hoffman ; Sidney Janis Gallery. Includes Polaroids of the installation space and newspaper clippings.
Includes photographs of the installation and a photocopied exhibition catalog.
Includes photographs of a damaged sculpture and correspondence for the acquisition of a bronze cast of Chance Meeting.
"George Segal" at the Ho-Am Museum in Seoul, Korea from May 25 to July 4, 1995, organized by the Gana Art Gallery.
Includes tourist brochures from Korea and one sketch by the artist.
"George Segal, a Retrospective: Sculptures, Paintings, Drawings" at the Hirshhorn Museum and Sculpture Garden from February 19, 1998 to May 17, 1998.
Includes a Spanish language article from 1994.
Includes correspondence relating to the museum's acquisition of Sophie V.
Solange Auzias de Turenne and The Marlborough Gallery regarding Segal's participation in Les Champs de la Sculpture II in 1999/2000.
"Pop Art," a major exhibition organized by Macro Livingstone for the Royal Academy of Arts, which showed in Montreal from October 22, 1992 to January 23, 1993. Also includes correspondence relating Segal's loan of the Roy Lichtenstein work Woman with Peanuts and Allan Kaprow's Cubist Collage.
Includes a card from Ali Cordero Casal (entrepreneur, collector, photographer) dated January 1991 and correspondence with Sophía Imber.
Group exhibition at the Newark Museum and subsequent monograph by Joan Marter by the same name: "Off Limits: Rutgers University and the Avant-Garde, 1957-1963." Includes interview text.
"Another Form: Drawing into Sculpture."
Relating to "Pop Art." Includes correspondence relating to Segal's loan of the Roy Lichtenstein work Woman with Peanuts for the touring Japan exhibition "Muses: Images of Women by Roy Lichtenstein and Andy Warhol," also organized by Livingstone. SEE ALSO: Woman with Peanuts – Roy Lichtenstein in Subseries 3C.