Susanna Moore Papers, 1940-2022

C1381

Restrictions may apply. See Access Note.

Contents and Arrangement

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Collection Overview

Creator:

Moore, Susanna (1945)

Title:

Susanna Moore Papers

Repository:

Manuscripts Division

Permanent URL:

http://arks.princeton.edu/ark:/88435/cz30ps740

Dates:

1940-2022

Size:

35 boxes, 12.8 linear feet, 9.8 GB, 153 digital files

Storage Note:

Firestone Library (scamss): Boxes 1-25; B-001092; B-001918; B-001220; B-001919; B-001232; B-001551; B-000087; B-000088; B-001332; B-001622

Language:

English

Abstract: Susanna Moore is an American novelist. Her papers consist of drafts of novels and nonfiction books, correspondence with writers and artists, teaching materials from her time spent teaching incarcerated writers and Princeton undergraduates, photographs, and audiovisual material.

Collection Description & Creator Information

Scope and Contents

The papers consist of drafts of novels and nonfiction books, correspondence with writers and artists, teaching materials from her time spent teaching incarcerated writers and Princeton undergraduates, photographs, and audiovisual material.

Collection Creator Biography:

Moore

Susanna Moore is an American novelist. Born in Pennsylvania on December 9, 1945, Susanna Moore soon moved to Hawaii with her family. At seventeen, she left Hawaii for the mainland, where she lived in New York and Los Angeles, working as a model and script reader. In 1983, she published her first novel, My Old Sweetheart , which won the PEN Hemingway Citation and the Prize for First Fiction from the American Academy of Arts and Letters. The Whiteness of Bones (1989) and Sleeping Beauties (1993) followed, forming a loose trilogy of coming-of-age novels set in Hawaii. After spending two years with NYPD homicide detectives, Moore dramatically departed from her earlier work with In the Cut (1995), a thriller set in New York. Later works explore nineteenth-century British India (One Last Look , 2004) and the world of women's prisons (The Big Girls , 2007), based in part on her time spent teaching in detention centers. She also teaches creative writing at Princeton University. The American Academy of Arts and Letters awarded her a Prize for Literary Achievement in 1999.

Collection History

Acquisition:

Gift of Susanna Moore, 2010-2023 (AM 2010-143, 2012-97, 2013-26, 2013-34, 2013-106, 2014-19, 2015-91, 2016-17, 2016-49, 2016-59, 2016-69, 2016-90, 2016-103, 2017-11, 2017-65, AM 2017-80, AM 2018-43, AM 2019-19, AM 2019-59, AM 2019-67, AM 2020-2, AM 2021-29, AM 2022-019, AM 2022-123, AM 2023-068, 2024-036).

Accruals

Regular accruals from the author are expected.

Appraisal

No materials were separated from the collection during 2015-2023 processing.

Processing Information

This collection was processed by Alyssa Meyers in 2011. Finding aid written by Alyssa Meyers in 2011. Finding aid updated periodically with new accessions by Kelly Bolding in 2015-2022. 2023 addition incorporated into the collection by Amy C. Vo in 2023.

Some of the born-digital materials in this collection have been processed according to Princeton University Library's Born-Digital Processing Workflows. For more information on the workflow, please read our full Born-Digital Processing Information Note. Other born-digital materials on floppy disks and optical media are unprocessed.

Access & Use

Conditions Governing Access

The collection is open for research with the exception of the following:

Correspondence with Joan Didion, Kiki Smith, and Arabella Stuart is restricted for their lifetimes. Correspondence with Michael Arlen, William Chillingworth, Annabel Davis-Goff, Glen Duncan, Joyce Carol Oates, and Shelley Wanger is restricted until 2031. Correspondence containing student records is restricted until 2087 in accordance with FERPA. (All restricted material is housed in Box B-001918.)

Conditions Governing Use

Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.

Physical Characteristics and Technical Requirements

For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.

This collection contains digital files, which may require specific software or hardware for access. Refer to our Tips on Accessing Born-Digital Content for information on how to render these file formats.

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