Contents and Arrangement

Online

Series 2: Editorial Files, 1965-1972

2 boxes

Collection Overview

Collection Description & Creator Information

Scope and Contents

This series includes editorial files documenting the submission of materials, editing of works for publication, layout design and illustrations for the magazine, and related projects of the editors. Manuscript and typescript drafts and proofs of articles for publication in Form are present for works by international writers and artists, including Pierre Albert-Birot, Thomas Bernhard, Charles Biederman, Simon Cutts, Girard Genette, Oliver Hawkins, R. C. Kenedy, Xanti Schawinsky, Richard Sherwood, and Charles Tomlinson. Contributor lists, paste-ups and page proofs for whole issues, illustrations, and photosetting specifications are also present, as well as unsolicited submissions and related correspondence. This series also contains other editorial and writing projects by Form's editors, including copies of previous publications on which they collaborated, such as Image and Kinetic Art, as well as related projects by individual editors, such as Philip Steadman's printed object poems for Augusto de Campos and the 1967 Brighton Festival and Mike Weaver's academic writings on American studies and concrete poetry.

Researchers should note that editorial files are not complete and represent later issues more thoroughly, especially Form 8 and 10. Occassional unsolicited submissions and proofs are present for materials intended for Form 11, which was never completed.

Arrangement

This series is arranged into three subseries: 2A: Issue Files, 2B: Unsolicited Submissions, and 2C: Related Projects.

Collection History

Appraisal

Nothing was removed from the collection during 2014 processing.

Access & Use

Conditions Governing Access

The collection is open for research.

Conditions Governing Use

Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.

Physical Characteristics and Technical Requirements

For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.

Credit this material:

Series 2: Editorial Files; Archives of Form Magazine, C1489, Manuscripts Division, Department of Special Collections, Princeton University Library

Location:
Firestone Library
One Washington Road
Princeton, NJ 08544, USA
(609) 258-3184
Storage Note:
Firestone Library (mss)
Boxes 3-4