- Collection Overview
- Collection Description & Creator Information
- Access & Use
- Collection History
- Find Related Materials
Dodge Conference on Arts, 1992
Collection Description & Creator Information
- Scope and Contents
June 10, 1992.
The original order of these files was maintained.
Some floppy disks were deaccessioned after imaging due to a lack of archival value. Duplicate papers and audiovisual materials were removed from the collection.
- Processing Information
Some materials in this collection were treated for fire damage and encapsulated in mylar in 1994.
This collection was processed by Allison Hughes, with the assistance of Sophia Alvarez, Fiona Bell, Kristine Gift, Isabelle Litke, Chloe Pfendler, and Ann-Elise Siden in February 2015-February 2017. Processing of the born-digital material was done by Elena Colón-Marrero, Jarrett Drake, and Allison Hughes in 2015-2016. Finding aid written by Allison Hughes in 2016-2017.
New additions were processed and the finding aid was updated by Kelly Bolding in March-November 2017, and by Chloe Pfendler in January-February 2020. Additional born-digital materials were processed by Kathryn Antonelli and Kelly Bolding in July-August 2017.
Access & Use
- Conditions Governing Access
Toni Morrison has required the Library to make surrogate copies of all of her manuscripts (including typescripts, proofs, and notes) that are primarily part of the Writings series, including but not restricted to those damaged by fire in 1993. This is for conservation reasons, to prevent damage and deterioration by repeated use. Researchers are required to use digital surrogates in the reading room of the Special Collections. Morrison's diaries (appointment books) are also available via digital access in the reading room pending digitization.
A small amount of material is temporarily restricted at the request of the collection creator or due to the presence of personally identifiable or other legally protected information. This includes portions of the Academic Career series that are restricted until 75 years from the date of creation due to the presence of student and faculty/personnel records as well as some files within the Working Files series.
For preservation reasons, physical access to original audio and visual media in a variety of magnetic and optic formats is restricted.
- Conditions Governing Use
Single photocopies may be made for research purposes. No further photoduplication of copies of material in the collection can be made when Princeton University Library does not own the original. For permissions and copyright questions related to Toni Morrison and her writings, please contact the Toni Morrison Estate via Rene Boatman (email@example.com).
- Physical Characteristics and Technical Requirements
For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.
Some material in this collection, particularly found in the Writings and Correspondence series, was damaged by the fire that destroyed Morrison's upstate New York home in 1993. Damage ranges from charred edges to pages missing significant portions or rendered illegible.
- Credit this material:
Dodge Conference on Arts; Toni Morrison Papers, C1491, Manuscripts Division, Department of Special Collections, Princeton University Library
- Firestone LibraryOne Washington RoadPrinceton, NJ 08544, USA
- Storage Note:
- ReCAP (rcpxm): Box 159