Contents and Arrangement
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Lone, 1994-1997

1 box
SOME ONLINE MATERIAL
Restrictions may apply.
Collection Creator:
Morrison, Toni
Dates:
1994-1997
Extent:
1 box
Languages:
English
Conditions Governing Access

Toni Morrison has required the Library to make surrogate copies of all of her manuscripts (including typescripts, proofs, and notes) and diaries (appointment books), including but not restricted to those damaged by fire in 1993. This is for conservation reasons, to prevent damage and deterioration by repeated use. Researchers are required to use digital surrogates in the reading room of the Special Collections. These include manuscript material found in boxes 1-11; 13-19; 22-29; 32-47; 50-56; 59-62, 64-66, 280-290, 291, 305-308, 311-318, 323, 325-326, 336, B-002118, and P-000145. Morrison's untitled, unfinished work is completely restricted until 2094. All other materials in this series are open for research.

Conditions Governing Use

Single copies may be made for research purposes. No further photoduplication of copies of material in the collection can be made when Princeton University Library does not own the original. For permissions and copyright questions related to Toni Morrison and her writings, please contact the Toni Morrison Estate via Rene Boatman (boatman@princeton.edu). To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.

Credit this material:

Lone; Toni Morrison Papers, C1491, Manuscripts Division, Department of Special Collections, Princeton University Library

Storage Note:
Firestone Library (hsvm)
Box 36
Note
This collection is stored partially onsite at Firestone Library and partially offsite (boxes 105-109; 112-114; 122-226; 230-248; 265-275; 303; 321-322) at the ReCAP facility. Boxes 1-11; 13-19; 22-29; 32-47; 50-56; 59-62; 64-66; 227-229; 280-291; 305-308; 310-320; 323; 325-326 are stored in a special vault facilities in Firestone Library.
Physical Characteristics and Technical Requirements

For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.

Some material in this collection, particularly found in the Writings and Correspondence series, was damaged by the fire that destroyed Morrison's upstate New York home in 1993. Damage ranges from charred edges to pages missing significant portions or rendered illegible.

Collection Overview

Collection Description & Creator Information

Arrangement

Arranged chronologically by publication date.

Collection History

Appraisal

Some floppy disks were deaccessioned after imaging due to a lack of archival value. Duplicate papers and audiovisual materials were removed from the collection.

Access & Use

Conditions Governing Access

Toni Morrison has required the Library to make surrogate copies of all of her manuscripts (including typescripts, proofs, and notes) and diaries (appointment books), including but not restricted to those damaged by fire in 1993. This is for conservation reasons, to prevent damage and deterioration by repeated use. Researchers are required to use digital surrogates in the reading room of the Special Collections. These include manuscript material found in boxes 1-11; 13-19; 22-29; 32-47; 50-56; 59-62, 64-66, 280-290, 291, 305-308, 311-318, 323, 325-326, 336, B-002118, and P-000145. Morrison's untitled, unfinished work is completely restricted until 2094. All other materials in this series are open for research.

Conditions Governing Use

Single copies may be made for research purposes. No further photoduplication of copies of material in the collection can be made when Princeton University Library does not own the original. For permissions and copyright questions related to Toni Morrison and her writings, please contact the Toni Morrison Estate via Rene Boatman (boatman@princeton.edu). To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.

Physical Characteristics and Technical Requirements

For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.

Some material in this collection, particularly found in the Writings and Correspondence series, was damaged by the fire that destroyed Morrison's upstate New York home in 1993. Damage ranges from charred edges to pages missing significant portions or rendered illegible.

Credit this material:

Lone; Toni Morrison Papers, C1491, Manuscripts Division, Department of Special Collections, Princeton University Library

Location:
Firestone Library
One Washington Road
Princeton, NJ 08544, USA
(609) 258-3184
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Storage Note:
Firestone Library (hsvm)
Box 36
Note
This collection is stored partially onsite at Firestone Library and partially offsite (boxes 105-109; 112-114; 122-226; 230-248; 265-275; 303; 321-322) at the ReCAP facility. Boxes 1-11; 13-19; 22-29; 32-47; 50-56; 59-62; 64-66; 227-229; 280-291; 305-308; 310-320; 323; 325-326 are stored in a special vault facilities in Firestone Library.

Find More

Related Materials

Other materials relating to Toni Morrison's work at Random House may be found in the Random House records at Columbia University's Rare Book and Manuscript Library.

Original drafts of Toni Cade Bambara's writings and related materials may be found in the Spelman College Archives.

A number of recordings of PEN American Center events in which Toni Morrison participated can be found in the PEN American Center Records (C0760). Online access to these recordings is available through the PEN America Digital Archive site.