Manuscripts Division

David Weissman Papers, 1950s-2020s

C1780
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Contents and Arrangement

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Collection Overview

Creator:
Weissman, David, 1954-
Title:
David Weissman Papers
Repository:
Manuscripts Division
Permanent URL:
http://arks.princeton.edu/ark:/88435/dc8623jb474
Dates:
1950s-2020s
Size:
9 linear feet, 6 boxes, 1 oversize folder, 945.1 GB, 2198 digital files
Storage Note:
Firestone Library (scamss)
Boxes B-002131-B-002136
Folder 1
Language:
English

Abstract

Consists of filmmaker David Weissman's professional records, personal papers, photographs, posters, and audiovisual interviews related to his personal life, career as a film director, and activism.

Collection Description & Creator Information

Scope and Contents

This collection documents the professional career and personal life of David Weissman, an American gay filmmaker, film programmer, public speaker, and activist who is known for directing the documentaries The Cockettes (2002) and We Were Here (2011), as well as the series Conversations With Gay Elders (2015–2017). Materials documenting Weissman's personal life include correspondence, photographs, and journals, spanning from Weissman's childhood in the 1950s-1970s through his adult life in California and traveling abroad. There is also a small group of materials collected by Weissman's father, Bernard, on his son.

Weissman's filmmaking career is also represented through photographs and correspondence, in addition to documents such as screenplays and production files. Among the photographs that portray Weissman's career are images from various film screenings and openings, including from the Frameline film festival. The production and screening of The Cockettes and We Were Here are well represented in the collection, especially in photographs and film posters. Also included as digital files are over 35 hours of audio and video interviews with Weissman.

Arrangement

The materials in this collection remain in the order in which they were received.

Collection Creator Biography:

Weissman, David, 1954-

David Weissman is an American gay filmmaker, film programmer, public speaker, and activist. He is known for directing the documentaries The Cockettes (2002) and We Were Here (2011), as well as the series Conversations With Gay Elders (2015–2017), an intergenerational project for which he partnered with gay men in their 20s and 30s to create short films profiling men in their 70s and older who first experienced gay life before the liberation movement of the 1970s.

Weissman was born and grew up in the Los Angeles area, the son of an upper-middle-class Reform Jewish family with ties to progressive culture. After attending public elementary and high schools, he moved in his late teens to Venice Beach, California, where he came out as gay and was active in the thriving counterculture and political activism in what was a bohemian seaside town at the time.

In 1976, Weissman moved to San Francisco, where he immersed himself in the overlapping counterculture, gay and activist communities. Over the next 28 years, he was deeply involved in the city's cultural and political life, especially as it developed its GBTQ center and through the start of the AIDS crisis. In 1980, Weissman served as an aide to San Francisco Supervisor Harry Britt (1938–2020), who had been appointed to replace Harvey Milk (1930–1978) after Milk's assassination. Weissman subsequently worked on political campaigns including Britt's 1986 run for U.S. Congress.

By the early 1980s, Weissman began pursuing his filmmaking career. He started out making shorts reflecting San Francisco's avant-garde drag culture such as Beauties Without a Cause (1986), as well as shorts responding to the onset of the AIDS crisis, including Song From an Angel (1988). AIDS also increasingly claimed a central place in his engagement in political and activist pursuits.

In 1984–1985, Weissman lived in Amsterdam, where he worked to establish connections with the European film community and where he made a number of lifelong friends. During this period, he also traveled in Western Europe, furthering his professional and personal contacts on the continent.

In 1990, Weissman was the first recipient of the Sundance Institute's Mark Silverman Fellowship for New Producers, serving as an intern producer on Joel Coen and Ethan Coen's film Barton Fink (1991). He also developed a never-produced narrative feature with filmmaker Richard Glatzer. In the mid-1990s, Weissman produced and directed an acclaimed series of innovative HIV prevention public service announcements as well as trailers for film festivals, including the Frameline Lesbian and Gay Film Festival. In the late 1990s, he started work on documentaries.

In 2004, Weissman moved to Portland, Oregon, where he co-founded and for 10 years co-programmed QDoc: The Portland Queer Documentary Film Festival. Weissman sold his home in Portland in 2017 and has since traveled around the United States and in Europe for a few weeks to a few months at t time, with frequent returns to the San Francisco Bay Area and Portland.

Since the 1980s, Weissman has taught filmmaking at several institutions. He also has introduced his own films and presented talks about his work for universities, museums, cultural organizations and community groups in the U.S. and Europe. In 2019, he gave the George Mosse Lecture at the University of Amsterdam.

Collection History

Acquisition:

Purchased from Gerard Koskovich Queer Antiquarian Books in 2023 (AM 2025-029).

Appraisal

The publication Caravan to Oz : A Family Reinvents Itself Off-Off-Broadway (New York ; Seattle : El Dorado Books, 2014) and the VHS tape The Cockettes (Strand Releasing, 2002) were removed from the collection during 2024-2025 processing. Digital files and directories that were empty were also removed from the collection during 2024-2025 processing. Materials containing personally identifiable information (PII) were also removed from the collection during 2024-2025 processing.

Processing Information

Processed and described by Lauren C. Williams in November 2024-February 2025, using description provided by the dealer. Language adapted from dealer-provided description was used to create the biographical note for David Weissman and file-level Scope & Content notes. Most of the dealer-supplied language was written by or in consultation with Weissman and is up-to-date as of the time the collection was acquired in 2023.

The born-digital materials in this collection have been processed according to Princeton University Library's Born-Digital Processing Workflows. For more information on the workflow, please read our full Born-Digital Processing Information Note.

Some digital file and folder names were edited for clarity and consistency during 2024-2025 processing.

Access & Use

Conditions Governing Access

The collection is open for research.

Conditions Governing Use

Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.

Physical Characteristics and Technical Requirements

For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.

This collection contains digital files, which may require specific software or hardware for access. Refer to our Tips on Accessing Born-Digital Content for information on how to render these file formats.

Credit this material:

David Weissman Papers; Manuscripts Division, Department of Special Collections, Princeton University Library

Permanent URL:
http://arks.princeton.edu/ark:/88435/dc8623jb474
Location:
Firestone Library
One Washington Road
Princeton, NJ 08544, USA
(609) 258-3184
Storage Note:
Firestone Library (scamss)
Boxes B-002131-B-002136
Folder 1