Started in the 1970s, this closed collection includes more than 5,000 photographs consisting mostly of documentary photographs of the Trans-Mississippi West from the late 1860s to early 1900s. Subjects include American Indians (especially studio portraits), natural wonders, cities, towns, buildings, and economic activities (mining, railroads, logging, and agriculture). Some photographs relate to the Indigenous populations of Mexico and Central America. The dimensions, physical formats, and photographic processes of the photographs vary widely.

Photographers represented include Charles Milton Bell, John Nicholas Choate, John K. Hillers, Charles Fletcher Lummis, Eadweard Muybridge, Frank A. Rinehart, Bernard Gurney Randall, Carlton E. Watkins, Orloff R. Westmann, Ben Wittick, and many others; as well as photographers whose work was marketed commercially by the Keystone View Company, Underwood & Underwood, and other firms. The collection also includes the work of some contemporary photographers, such as Ulli Steltzer and Kenji Kawano.

For earlier accessions, photographs that are identified with the letter "S" are small prints, many of which are stereographic photographs; those identified with the letters "M" and "L" are mostly albumen prints, and the latter are oversize; photographs with the letter "H" include tintypes, ambrotypes, daguerreotypes, and lantern slides; and photographs marked with "X" include mammoth prints as well as gelatin silver prints.

No additions will be made to this collection. Accessions relating to this topic will be added to the General Manuscripts Miscellaneous Collection (C0140).