Madison Smartt Bell (1957-) is an American novelist best known for his trilogy of novels about Toussaint Louverture and the Haitian Revolution, published between 1995 and 2004. His papers consist of writings, personal and professional correspondence, family documents, memorandum books, printed materials, and subject files, including drafts, galleys, and proofs for his novels, short stories, and other writings.

Saúl Yurkievich is an Argentine poet and literary critic. The collection consists of his personal and literary papers. It includes some of Yurkievich's poetic and prose-poetic manuscripts, correspondence with writers, scholars, critics and publishers and extensive subject files.

Marc Gaede (1946- ) is an American photographer, environmental activist, and teacher based in California. The collection consists of Gaede's black-and-white photographs of the American West and Southwest, correspondence, contracts, and other working files primarily related to his books on photography, archaeology, and conservation, and a large group of working files, which include audiovisual and digital materials, for a biography project Gaede collaborated on with Hunkpapa Lakota Sioux activist Robert Sundance (1927-1993).

Consists of incoming letter from writers, scholars, and friends (circa 1958-2016), along with nine binders containing photocopied letters (1902-1957) of the Greek novelist Nikos Kazantzakis collected by Bien. There are also (9) photocopied Kazantzakis's own notebooks; Bien's notebooks (general and miscellaneous) containing clippings and other materials that relate to Kazantzakis's works and career; notebooks containing Bien's reading notes from secondary and primary materials or both; small notebooks with material he read. There are also typescripts; a copy of Kazantzakis's "Vios kai politeia tou Alexe Zorba" with marginal notes by Bien and three printed bibliographies: Katsimpale bibliography N. Kazantzakē A 1906-1948, Perantonakē bibliography N. Kazantzakē 1973-2002, and Mantatophoros #5 November 1974. There are also two small file boxes.

Consists of professional and personal correspondence, travel diaries and related ephemera, notebooks, writings, and files relating to the Quarterly Review of Literature (QRL) of editor and writer Renée Karol Weiss (1923-2021). Some materials relate specifically to Renée's husband, poet and professor Theodore Weiss (1916-2003).

Consists of correspondence with Modern Greek poets, autograph manuscripts of poems, and printed material.

The collection consists of manuscripts, writings, correspondence (both personal and professional), photographs, works of others, microfilm, printed material, and film reels, spanning more than 50 years, concerning Velikovsky's controversial ideas, the books that he wrote, and the history of opposition and criticism from the academic community that he received following the publication of his first book, Worlds in Collision, in 1950. Colleges and universities threatened to boycott the textbook division of the publisher, Macmillan & Co., which led to the transfer of the publishing rights to Doubleday & Co., even though the book had reached the number one spot on the best-sellers list. The book was eventually banned from a number of academic institutions, and several people lost their jobs because of it.

Consists of select correspondence, dating from 1946 to 2011, of art historian Charles W. Millard (1932-2017) with artists such as Sir Anthony Caro, Helen Frankenthaler, Carl Chiarenza, Mark Hewitt, Nick George, Jules Olitski, and others.

This collection consists of selected papers of Frederic Dennis regarding Sylvia Beach, including correspondence of Sylvia Beach and members of her family, as well as letters from Noël Riley Fitch from 1977-1988, photographs of Sylvia Beach, Shakespeare and Co., her friends and family, and assorted clippings and other miscellany.

Consists of letters, short manuscripts, some artwork, and a few proofs of English poets, dramatists, novelists, critics, essayists, biographers, journalists, publishers, artists, and actors who were prominent primarily from the 1890s through the 1930s.