Contents and Arrangement Collection View
Description:

Consists of a typescript transcription.

Description:

Consists of sound recordings, totaling 3 hours and 38 minutes in length. These recordings were originally received on two 1/4-inch open reel audiotapes on 3" reels, labeled "A" (32101086143342) and "B" (32101086143359), which have been digitized. The apparent order of the tapes is 32101086143359_1, 32101086143359_2, 32101086143342_2, 32101086143342_1.

Description:

Description:

Memo from Juli Bainbridge on behalf of Murray Fisher regarding the Jim Goode interview transcription.

Description:

Consists of empty envelopes, including a mailing envelope addressed to Alex Haley.

Scope and Contents

Consists of sound recordings, a transcription, and editorial notes documenting multiple sessions of an interview of American writer James Baldwin conducted by Alex Haley (1921-1992) and Jim Goode (James A. Goode, d. 1992) in late 1967 and early 1968 for Playboy but never published in the magazine. At the time, Alex Haley was an interviewer and journalist for the magazine's monthly Playboy Interview feature, and Jim Goode was an articles editor. The interview is conversational and wide-ranging, with Baldwin responding to questions about his personal and artistic life, as well as about larger social issues surrounding racism, sexuality, politics, economics, and activism.

The earlier interview session conducted by Jim Goode, circa September 1967, is documented by a 170-page typescript transcription, with some handwritten corrections. Notations indicate that the transcription was made from four tapes, but the original sound recordings for this session are not included in the collection. In January 1968, Playboy editor Murray Fisher sent the transcription to Alex Haley for review, as indicated by a memo from his assistant. Sound recordings of later interview sessions conducted by Alex Haley, circa October 1967 through March 1968, are present on two open reel audiotapes, which have been digitized; these total three and a half hours in length. There are also four heavily annotated lists of questions for Baldwin drafted by several Playboy editors and journalists.

In the interview, Baldwin discusses his childhood, adolescence, and early adulthood extensively, reflecting on his family and upbringing; his experience with religion and preaching; his schooling, early jobs, and friendships; as well as his later expatriatism in France (particularly so in the session with Jim Goode). Baldwin also speaks candidly about his sexuality in the context of his early relationships with both men and women, as well as physical threats he experienced due to both his sexual orientation and race. He also provides thoughts and critiques about African American civil rights and human rights leaders, including Martin Luther King Jr., Malcolm X, Stokely Carmichael, and Medgar Evers; activist organizations such as the Student Nonviolent Coordinating Committee (SNCC) and the Congress of Racial Equality (CORE); and politicians such as John F. Kennedy, Robert F. Kennedy, Lyndon B. Johnson, Hubert Humphrey, and Ronald Reagan. He also describes events including the National Conference for New Politics (NCNP), which took place in Chicago in August-September 1967, and his meeting with Robert F. Kennedy on May 24, 1963.

Throughout the interview, Baldwin addresses legacies of racism and white supremacy in the United States and abroad, touching on the history of colonialism, genocide against Native Americans, and slavery, as well as contemporary power structures, opposition to which he describes as a type of "guerilla warfare." Other topics of conversation include the Vietnam War, FBI surveillance of black activists in the South, police violence and urban riots in New York, Chicago, and Detroit, the 1960s counterculture and student activist movements, white middle class liberalism, possibilities for an American socialism, the influence of money in politics, and the relationship between literature and politics.

Collection Creator Biography:

Baldwin

James Baldwin (1924-1987) was an American novelist, essayist, playwright, short story writer, and poet whose focus on issues of racial discrimination made him a prominent spokesperson for racial equality, especially during the civil rights movements of the 1960s. Baldwin grew up in Harlem and had a troubled relationship with his strict, religious stepfather. As a teenager, he became a preacher at a small church in Harlem. After graduating from DeWitt Clinton High School in 1942, Baldwin moved to Greenwich Village and began publishing essays and short stories in national periodicals. Disillusioned with racism and homophobia in the United States, Baldwin left for his first extended stay in Paris, France, in 1948. He would go on to spend much of his life abroad living in Paris and later Saint-Paul de Vence, France, as well as in Turkey and Switzerland.

Baldwin published his first novel, Go Tell It on the Mountain, in 1953, which was followed shortly thereafter by a play The Amen Corner (1954) and a collection of essays Notes of a Native Son (1955). Many of Baldwin's novels, including Giovanni's Room (1956), Another Country (1962), and Tell Me How Long the Train's Been Gone (1968) engage the intersections of race, gender, sexuality, and class, particularly in the lives of African Americans and gay and bisexual men. His novels, plays, and essays explore the psychological effects of racism for both black and white Americans and reflect on the social upheaval of the civil rights era. Beginning in the early 1960s, especially following the publication of his best-selling book The Fire Next Time (1963), Baldwin became increasingly involved in social and political activism, using his platform as a literary celebrity to give lecture tours and interviews on race relations in the United States. Baldwin continued to write prolifically until his death in 1987 in France, where he was named Commander of the Legion of Honor in 1986.

Acquisition:

Purchase, 2017 (AM 2017-113).

Custodial History

From the estate of Alex Haley.

Appraisal

No materials were separated during 2017 processing.

Processing Information

This collection was processed by Kelly Bolding in April 2017. Finding aid written by Kelly Bolding in November 2017.

Open reel audiotapes were digitized in September 2017.

Conditions Governing Access

Open for research.

Access to digitized sound recordings is available in the RBSC reading room. For preservation reasons, physical access to original tapes is restricted.

Conditions Governing Use

Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.

Physical Characteristics and Technical Requirements

For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.

Credit this material:

James Baldwin Playboy Interview; Manuscripts Division, Department of Special Collections, Princeton University Library

Permanent URL:
http://arks.princeton.edu/ark:/88435/794081049
Location:
Firestone Library
One Washington Road
Princeton, NJ 08544, USA
(609) 258-3184
Storage Note:
  • This is stored in multiple locations.
  • Firestone Library (scamss): Box B-001100
  • ReCAP (scarcpxm): Box 2