- Collection Overview
- Collection Description & Creator Information
- Access & Use
- Collection History
- Find Related Materials
Collection Overview
- Title:
- Edgardo Cozarinsky Papers
- Repository:
- Manuscripts Division
- Permanent URL:
- http://arks.princeton.edu/ark:/88435/2n49t457z
- Dates:
- 1920-2016
- Size:
- 54.17 linear feet
- Storage Note:
- This is stored in multiple locations.
- Firestone Library (scamss): Boxes B-001000 to B-001065, L-000019, P-000093
- ReCAP (scarcpxm): Box 1-8
- Language:
- and
Abstract
Edgardo Cozarinsky is an Argentine-born film director, producer, screenwriter, novelist, critic, theater director, and playwright. His papers consist of film scripts, related press, correspondence, photographs, general reference files, drafts of his writings, printed matter, and audiovisual materials.
Collection Description & Creator Information
- Scope and Contents
The papers include the working files of Argentine filmmaker, producer, screenwriter, novelist, critic, theater director, and playwright Edgardo Cozarinsky.
A large portion of the papers include scripts, shooting schedules, printed press, on set photographic stills, subtitle translation texts, audiovisual materials, general reference, and accounting files pertaining to Cozarinsky's film work. Drafts and printed materials of his theater productions and writing publications are present as well. Correspondence from various friends and collaborators including Néstor Almendros, Adolfo Bioy Casares, Guillermo Cabrera Infante, Ronald Christ, Frances Korn, Silvina and Victoria Ocampo, Alejandra Pizarnik, Manuel Puig, Severo Sarduy, Susan Sontag, and Julián Ríos, among other individuals, is also present. Other materials include photographs; personal items such as address books, notebooks, planners; printed and ephemeral matter from film festivals; articles and interviews about Cozarinsky; and a newspaper and magazine research collection of varying subject matter that includes articles about Argentine culture, film history, and Jorge Luis Borges. Additional materials consist of printed matter, including press clippings, magazines, brochures and ephemera. It also includes Cozarinsky's drafts, "The Flight" and "Little Odessa", letters, postcards, invitations, and a diary. Also included are audiovisual materials related primarily to Cozarinsky's work.
When possible, Cozarinsky's original folder titles were maintained which demonstrate his use of French, Spanish, and English.
- Collection Creator Biography:
Cozarinsky
Edgardo Cozarinsky is an Argentine-born film director, producer, screenwriter, novelist, critic, theater director, and playwright. He was born on January 13, 1939 in Buenos Aires. His grandparents migrated to Argentina from Kiev and Odessa in the late 19th century. He studied literature at the University of Buenos Aires and began publishing essays on film criticism. In 1959, he formed friendships with Silvina Ocampo and Adolfo Bioy Casares, who introduced him to Jorge Luis Borges. Cozarinsky would later go on to direct films and write about Borges extensively, publishing Borges y el cine in 1974 with subsequent editions and translations.
He began his directing career with the experimental film "..." (Puntos suspensivos) in 1971. In 1974, at the height of the Argentine military dictatorship, Cozarisnky left Buenos Aires for Paris due to censorship and creative repression. In Paris, he devoted most of his creative pursuits to film.His film oeuvre spans more than four decades and includes feature-length and short films, fiction and "essays" written and produced in French, Spanish, and other languages. His film work includes Les Apprentis Sorciers (1976), La Guerre d'un seul homme (1981), Autoportrait d'un inconnu – Jean Cocteau (1983), Haute Mer (1984), Pour Mémoire – Les Klarsfeld, une famille dans l'Histoire (1985), Sarah (1988), Guerreros y cautivas (1989), BoulevardS du crépuscule (1992), Scarlatti à Séville (1994), Citizen Langlois (1994), La barraca: Lorca sur les chemins de l'Espagne (1995), Le Violon de Rothschild (1996), Fantômes de Tanger (1997), Le Cinéma des Cahiers (2000), Tango-Désir (2002), Dans le Rouge du Couchant (2003), Rond Nocturna (2005), Apuntes para una biografía imaginaria (2010), Nocturnos (2011), and Carta a un padre (2013).
Cozarinsky's other creative pursuits include theater production. In 2005 he wrote and directed Squash and a mini-opera titled Raptos. He has also appeared as a performer, along with his oncologist in Vivi Tellas's "documentary theater," titled Cozarinsky y su médico. In 2008 he started work on the libretto for a chamber opera with the musician Pablo Mainetti, Ultramarina, based on his own novel El rufián moldavo.
He is the recipient of the Premio Konex (2004, 2014) and Premio Cóndor (2004, 2011). He splits his time between Paris and Buenos Aires.
Collection History
- Acquisition:
Purchased from Edgardo Cozarinsky in 2016 (AM 2017-8), (AM 2017-21), (AM 2017-32), (AM 2018-68).
This collection was purchased (in part) with funds provided by the Program in Latin American Studies (PLAS).
- Appraisal
Non-unique, printed materials such as copies of newspapers, books, and journal publications were removed from the collection during the 2017, 2022 processing.
- Processing Information
This collection was processed by Elvia Arroyo-Ramirez in August 2017 with the assistance of Rachel Dubin and Julia English. Finding aid written by Elvia Arroyo-Ramirez in August 2017.
Additional materials processed by Armando Suárez in November 2022.
Access & Use
- Conditions Governing Access
The collection is open for research.
- Conditions Governing Use
Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.
- Physical Characteristics and Technical Requirements
For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.
The audiovisual materials in this collection have not yet been processed, and are therefore not available for research.
- Credit this material:
Edgardo Cozarinsky Papers; Manuscripts Division, Department of Special Collections, Princeton University Library
- Permanent URL:
- http://arks.princeton.edu/ark:/88435/2n49t457z
- Location:
-
Firestone LibraryOne Washington RoadPrinceton, NJ 08544, USA
- Storage Note:
- This is stored in multiple locations.
- Firestone Library (scamss): Boxes B-001000 to B-001065, L-000019, P-000093
- ReCAP (scarcpxm): Box 1-8