Series 1: Films, 1920-2013
This series features Cozarinsky's feature-length and short films, fiction and "essays," as well as television and documentary work. It includes scripts, shooting schedules, press, stills, subtitle translation texts, general reference and accounting files. More short films, fiction and "essays" projects can be found in Series 2: Theater and Other Projects.
This series is organized by chronologically per release date of film. Most of this material is arranged in its original order per film project. The last subseries contains general reference and accounting files regarding Cozarinsky's film work.
Photo Negatives, undated
Paris, 1975
Paris, 1986
Set Photographs, circa 1971
Festivals et Varia, 1971-1986
Comptabilité, 1971-1974
Description par sequences, 1971-1973
On-set Color Photographs, undated
Press Clippings - Dutch, 1977
Press Clippings - German, 1977
Unpublished, 1977
Pressbook, undated
Film Script - Clean, undated
Cinématographe (juin), 1977
Correspondence, 1979-1982
Press Book, 1981-1983
1er Mouvement, undated
Sous-titres anglais, undated
Bande-son française, 1981
Sortie-Paris (Presse), 1981-1984
Film Festivals: Deutsch, 1982-1993
Film Festivals: Français, 1981-1995
London Release, 1982-1985
Presse, 1982-1983
Trois Cartes-Postales du Troisième Reich, Deux Cartes-Postales de la Manche, 1940, 1981-1982
Recherche, undated
Presse: Diffusion Antenne 2, 1983
Presse: Londres, 1984
Presse: America et Canada, 1984-1986
Presse et Lettres, 1984-1993
Storyboard, undated
Edgardo's Storyboard, 1983
Liste de dialogues, 1984
Haute Mer, 1982
Presse, 1982-1985
Synopsis et Illustrations, undated
Xerox, undated
On Set Photographs, 1983
Synopsis, 1999
Passage TV (France) février, 1986
Bande-son et génériques, undated
Pré-Scénario, undated
Correspondence, 1985
Archives, 1985
Version française, undated
Version anglaise, undated
Visuals, undated
LA SEPT, 1989
Montréal et Rotterdam, 1989-1990
N.Y. Film Fest, 1988
Legal Stuff and Memos, 1987-1988
Research Photocopies, undated
Research Photocopies, undated
Film Scripts (2), undated
Ejemplar corregido, 1988
Planos / storyboard, 1988
Actores, 1988
Locations, 1988
Various Set Photographs, 1989-1991
Various Negatives, 1989
Various Slides, 1988
English and Italian Pressbooks, 1989
Presse, 1988-1997
Correspondence, 1988-1991
Correspondence: JEMPSA, 1988-1992
Tournage Presse argentine, 1987-1991
Presse: Dominique Sauda, 1990
Argentine Press, 1994
Subseries 10: André Chastel: un sentiment de bonheur ( Entretiens du Louvre), 1989 December-1993
Presse sur le film, 1990-1993
Textes sur le film, 1990
Presse sur Chastel, 1990
Iconographie, undated
Montage et générique, 1990
Relève de la bande-son, 1992
Photos de tournage à Tandil, 1981
Plaza Francia, undated
Notes, 1991
Départ / Papier pour Trafic, 1992
Sous-titres français, 1992
Der Dämmerung, undated
Twilight BoulevardS, 1992
New York Events, 1995
Research Files: Le Vigan, undated
Pre-scénario et notes, 1967-1992
Presse et correspondance, 1991-1993
Correspondence, 1976-1981
Faxes et scénario, 1995
Presse et correspondence, 1993-1995
Commentaire, 1995
Photographie, 1995
Archives film, 1986-1994
Divers Documents, 1966-1994
Iconographie, 1994
Banc-titres, 1968
Film Festivals and press, 1995
Projections et festivals, 1994-1997
Éléments dossier et Berlin, 1995
Berlin Film Festival, 1995
Synopsis / Notes d'intention, 1995
Bibliographie (Research Files), 1995
Iconographie, undated
Correspondence, 1994-1995
Acteurs - violon, undated
Film Script - français, 1995
Lettres, 1995-1999
Press Clippings, 1996-1997
Générique, undated
Un opéra rescapé, 1996
Finitions, 1996
Festivals et presse, 1995-1998
Revue de presse, 1996-1998
Production Newsletters, 1995-1996
Photographs: Tournage, 1995
Tournage: Hongrie, 1995
Tournage: Estonie et Russie, 1995
Casting et répérages, 1995
Presse, 1996-2000
Scrapbook and Notebook, 1996
Tournage: Planning, 1994-1996
Tournage: Feuille de service, 1996
Scénario, 1995
Texte voix off: générique, 1997
Dessins de Larbi Yacoubi, 1996
Sortie: presse, 1997-1998
Sortie: petits mots, 1998-1999
Correspondance & tournage, 2000-2001
Recherche et visionnage, 2000
Projet (Film Synopses), 2001
Buenos Aires (Press), 2001
Annotated Film Scripts, 2001-2002
Dossier de présentation, 2003
Presse, 2003-2004
Tournage, 1999-2007
Courrier, 2003-2004
Liste de dialogues, undated
Film Synopses, 2002-2003
Correspondence, 2001
Synopsis (Spiral bound), 2002
Guión, 2001
Photos, undated
Filmación / Planillas, 2004
Sous-titres français, 2005
Film Festivals, 2005
Review by Alan Pauls, 2005
Prensa en Español, 2004-2007
Bianco, José, 1991
Bolt, 2005-2006
Casting, 1998-1999
Bioy Casares, Adolfo, 1972-1998
Jedwabne, 2000-2002
This series consists of Cozarinsky's other film work productions, theater, and collaborative projects (with Eduardo de Gregorio and Alberto Tabbia). These materials consist of folders scattered throughout the collection, unlike the materials in the Films series which were grouped together. Found here are materials titled by their project name or descriptor that contain drafts, correspondence, and research materials pertaining to said project.
Alphabetically.
A Beautiful Family, undated
Abendrot, undated
Cinemas d'Argentine, 1985-1986
Cinema de Poche, undated
The Civil Wars, 1982-1983
Cold Point / Off Shore, 1986-1990
Gaucho Freaks, 1973
Historia del cine, 1973
Ingrid Caven, 2001
Innocents Abroad, 1990-1991
Le jour et la nuit, undated
Le jour et la nuit, 1977-1984
Le retour de Moscou, undated
Les lumiéres de la ville, 1985
Les répondeurs, 1982-1983
Lisboa 41: Ultramarine, 1991-1996
La mémoire courte, 1978-1982
Mémoire: Mary McCarthy, 1980-1982
Mourmansk, 1999-2001
Not in vain, undated
Projets divers, 1991-1994
Roman familial: Un divorcio, undated
Sacred Zone, 1974
Scarlatti à Seville [Domenico], 1990
Squash, 2005
Subtítulos para Buenos Aires, 2000
Tainsy, 1991-1992
Teatro, 2005-2010
Transit/Exit: Context, 1998
Van Gogh - Correspondence, 1998
Van Gogh et son double, 1998
Vigo, 1994
Series 3: Writings, 1929-2016
This series includes iterative drafts of Cozarinsky's novels, articles, essays, and other writings. Found here are handwritten, typewritten, printout drafts, research files, related press, and correspondence relating to the production of his works.
Organized by subseries, then alphabetically by title.
Subseries 1: Novels, 1977-2016
Burundanga, 2005
Burundanga - Press, 2009
Dark, 2015
Dark - Versión febrero, 2015
Dark- Versión provisoria, 2015
Dark, 2016
Dinero para fantasmo, 2012
La novia de Odessa, 2000
La tercera mañana - Press, 2010-2011
Lejos de dónde - Press, 2009-2010
Luz de Verano, 2012
Maniobras nocturnas, 2006
Maniobras nocturnas - Press, 2007
Museo del chisme - Press, 2005
Nuevo Museo del chisme - Press, 2013
Opera Buffa, 2001-2009
Tres fronteras, 2004-2007
Vaudou urbain - French Press, 1989
Vudú urbano - French, 1979
Vudú urbano - Press, 1985-2002
Urban Voodoo - English Press, 1991
Bienes racíes, 2000
Budapest, undated
Copi, 1998
Correas in "El ojo mocho", 2001
Dias de 1937, 2002-2003
Dia de 1942, 2001
Dias de 1955, undated
E.C. on Film 60s, 1962-1970
El País (Montevideo), 1962
En tránsito, undated
Kakania revisitada, undated
Kraus, 1999
La salvación por la fe, undated
Literary Criticism, 1980-1981
Mémoires du Louvre, 1991
Mitteleuropa-am-Plata, undated
On Film, 1961-1998
On Film, 1974-1997
On Film, 1959-1995
On Film, 1962-1981
Pezzoni, 1999
A.T., 1997
Beatriz Guido, 1998
Borges, 1999
Brasillach, 2000
Los cementerios del poder, 1997
Correspondance Brik-Triolet, 2000
Correspondencia V.O. - R.C., 1997
¿Imitación de la vida?, 2000
Julien Green, 1998
Jünger, 1998
Lugones, 1998
Meditaciones sobre un poster, 1997
Mundial, 1998
Navidad, 1997
El Paraná de Paiva, 2001
Piazzolla, 2000
Rescribir la Historia, 1999
Sánchez Sorondo, 2002
Sarduy, 2000
Sewald, 2001
Sontag, 2000
Tánger, 1997
Titanic, 1998
Torero en el Espejo, 1999
Van Gogh, 1999
V.O., 1999
Alf Sjöberg, 1929-1981
Borradores y descartes, 1991
Borges/Film: Reviews, 1975-1988
Cinematógrafos, 2010
El libro de mi madre, 2002
En la noche, 2008
Fountaine en Buenos Aires, 2001-2010
La vagabonde, undated
Printed Materials, 2004-2014
Rancho aparte, 2009
Raptos, 2011
Relatos indefendibles, 1974
Riviera Red, 1975
Ultramarina, 2013-2014
Handwritten and typewritten correspondence to and from Cozarinsky. Includes correspondence from colleagues, friends, family members, and institutional organizations. Correspondence with illegible or unidentified senders was placed in the "Unknown Senders" folder. The folders titled, "Letters..." were left in the original order Cozarinsky provided and may include correspondence from individuals who have correspondence elsewhere.
Alphabetically by individual's last name or agency's name. Correspondence of not significant volume was sorted alphabetically in letter files.
A, 1967-2015
Almendros, Néstor, 1967-1989
Anabel, 1993-1995
Anabel, 1993-1995
Andrés, Jorge, 1974-1976
Ayala, Fernando, 1976-1995
Ayala, Ramón, 1971
B, 1966-2015
Bastos, Maria Luísa, 1968
Bejo, Miguel, 1972-1973
Bemberg, Maria Luísa, 1981
Bianciotti, Héctor, 1970-1971
Bianco, José, 1980
Brasil, 1980
British Film Institute, 1971-1982
Brussels, 1982-1983
Buenos Aires Film People, 1975-1985
Buenos Aires Friends, 1974-1985
C, 1969-2014
Cardozo, Juan, 1985-1986
Christ, Ronald, 1977-1982
Christ, Ronald, 1983-1985
Christ, Ronald, 1986-1989
Christ, Ronald, 1990-1992
Christ, Ronald, undated
Cowie, Peter, 1972
D, 1967-2007
Design Yearbook Limited, 1967-1968
E, 1971-2006
Eduardo, 1967-1973
F, 1971-2013
Florín-Christensen, Alejo, 1967-1985
Frugone, 1975-1980
Fundación Konex, 2011-2012
G, 2005-2013
Grupo Acción Instrumental, 1976-1984
Hajdu, Susana, 1977-1984
Holland, 1985
I, 2004
Ijima, Midori, 2001-2012
Il Formichiere, 1977-1983
Iluminuras, 1999-2001
Irene, 1974-1980
Italia, 1979-1985
J, 1972-2010
K, 2005-2007
Korn, Francis, 1974-1983
L, 1969-2014
L'Herne, 1967
Lanús, Juan Archibaldo, 2004-2006
Livros Horizonte, 1980-1985
London Film Festival, 1971
Losada, Gonzalo, 1966-1970
M, 1966-2013
Madrid & Barcelona, 1976-1984
Manguel, Alberto, 2002-2006
Marcorelles, Louis, 1968-1969
Molloy, Sylvia, 1970-1973
Museum of Modern Art, 1972
N, 2007
Núñez & Unger, 1974-1976
O, 1973
Ocampo, Victoria, 1965-1975
P, 1966-2010
Paris Friends, 1974-1985
Pezzoni, Enrique, 1974-1985
Pizarnik, Alejandra, 1967
Publishers (General), 1974-1985
Puig, Manuel, 1967-1978
R, 2001-2014
Regazzoni, Ricardo, 1974
Relatives, 1976-1982
Renpää, Erkki, 1967-1969
Revistas de cine, 1975-1981
Revistas Literarias, 1974-1984
Ríos, Julián, 1975-1981
Rodríguez Monegal, Emir, 1967-1980
Rosenbaum, Jonathan, 1975-1979
Rosenbloom, David & Helen, 1974-1991
Roud, Richard, 1967-1985
S, 1967-2009
Saint Lu, Jean Marie, 2002
Salvat Editores, S.A., 1968-1969
Sandrews Film & Teater AB, 1967-1969
Sarduy, Severo, 1966-1992
Scheuer, Rodolfo "Dodi", 1981
Schoo, Ernesto, 1975-1989
Sill, Fred, 1970-1973
Sontag, Susan, 1972-1992
Stein, Eckart, undated
Stein, Elliot, 1968-1973
Straus, Roger, 1978-1984
Suisse, 1983
Svenska Filminstitutet, 1966-1969
T, 1967-2009
U, 1965-2009
Ubertalli, Hector, 1971-1973
Unger, Arturo, 1967-1972
V, 2007
Von Bagh, Peter, 1997-2000
Verhoeven, Michael, 1969-1972
W, 1970-2008
Wahlström & Widstrand, 1967-1968
Walger, Sylvina, 1982-1983
Y, 1973-2005
Yaccelini, Alberto, 1973
Yale University, 1970-1971
Unknown, 1965-2009
Lettres 84-86, 1984-1986
Lettres 86-90, 1986-1990
Lettres 87-90, 1987-1990
Lettres 91, 1991
Lettres 92, 1992
Lettres 92, 1992
Lettres 93, 1993
Lettres 94, 1994
Lettres 95, 1994-1995
Series 5: Photographs, 1961-2010
Contains on set photographs, portraits of Cozarinsky, family photographs, travel and events photographs, and photographs of Cozarinsky with other individuals.
This series is organized by subseries, then alphabetically by title.
Les Apprentis Sorciers, undated
BoulevardS du Crépuscule, 1992
Ghosts of Tangier, circa 1997
Guerre de un seul homme, 1981
Haute Mer, 1984
Other Set Photographs, 1990
Chez Paiva, 1983
Chez Quirno, 1974 June
E.C. and Book People, 1968-1980
E.C. and Film Folk, 1968-1985
Photos of Others, 1964-1992
Avignon, Nîmes, Arles, 1974 May
Buenos Aires, 1962
Buenos Aires, 1971
Event with Adolfo Bioy Casares, 1993
Glaciares, 1991
Lisboa, 1995 June
Lyon, 1994 December
Mar del Plata, 1968 March
New York, 1972 March
New York, 1995 April
This section includes personal items of Cozarinsky including address books, planners, passports, school documents, and notebooks.
Alphabetically; chronologically thereafter.
Book of Contacts (2), undated
Libreta de enrolamiento, 1959-1993
Literatura de Española II, 1961
Day Planner, 1975
Day Planner, 1976
Day Planner, 1977
Day Planner, 1978
Day Planner, 1979
Day Planner, 1980
Day Planner, 1981
Day Planner, 1982
Day Planner, 1983
Day Planner, 1984
Day Planner, 1985
Day Planner, 1986
Day Planner, 1992
Day Planner, 1993
Day Planner, 1994
Day Planner, 1995
Day Planner, 1996
Day Planner, 1997
Day Planner, 1998
Day Planner, 1999
Day Planner, 2000
Day Planner, 2001
Day Planner, 2002
Day Planner, 2004
Day Planner, 2006
Day Planner, 2007
Day Planner, 2008
Day Planner, 2009
Day Planner, 2011
Day Planner, 2012
Day Planner, 2013
Day Planner, 2014
Day Planner, 2015
Notebook - Café de Flore, 1975
Notebook - Buenos Aires, 1985
Notebook - Cádiz, Wien, 1986
Notebook - Van Gogh Iguázú, 1998
Notebook - São Paulo, 1999 November
Notebook - Wien, Jeonju, 2010-2011
Notebook, 2011-2012
Notebook - Istanbul, São Paulo, 2012
Notebook, undated
Notebook, undated
Film Index International, 1994
Passport, 1992-1997
Contains mostly printed materials of various interviews, reviews, articles, about Cozarinsky. Other materials include ephemeral film festival badges and buttons. This series also contains Cozarinsky's newspaper and print research collection.
Arranged by subseries; each subsequent subseries is arranged either chronologically or alphabetically.
Subseries 2: Events, 1980-2015
Atlantide Festival, 2013
BAFICI, 2010-2014
Beirut, 2008
La Casa Encendida, 2011
Centre Pompidou, 2008
El Cine por Dentro, 2011
Cinémathèque Française, undated
Crítica de cine en español, 1997
Doc's Kingdom, 2010
Espejito, Espejito, 2004
Festival des 3 continents, 1985-1997
Festival Toffi, 2006
FILBA Festival, 2008
IV FILBA Nacional, 2015
Filmoteca Nacional, 1980
Finn Festival, 2010
Flaherty Seminar, 2000
Hay Festival (Segovia), 2008
Hay Festival Xalapa, 2013
Homenaje a Betina Edelberg, 2010
Instituto Cervantes, 2004-2008
Irish Film Institute, 2006
Jeu de Paume, 1993-1997
Jeu de Paume, 2007-2011
Malba Cine, 2008
Malba Literatura, 2006-2008
Midnight Sun Film Festival, 1999
New York Film Festival, 1986
New York, 1999 February-March
Premios Konex, 2004
Premios Konex, 2014
Princeton Documentary Festival, 2008
Tango Festival, 2008
Telluride Film Festival, 2000
Unasur Cine, 2014
Argentina: Letras, 1983-2002
Borges, 1975-2002
Letras Argentinas, 1962-2002
Lyra, no. 12, 14, 17, 24, 1944-1945
Russia, 1991-2002
This series includes materials written by other authors about Cozarinsky's work.
Alphabetically by author's last name.
"Connaissez-vous Paris?", undated
de Brunhoff, Marie-Claude, 2005-2006
Torres Fierro, Danubio, 1992
Serie 9 (AM 2018-68): Material adicional, alrededor de 2002, 2005, 2010, 2016-2017 (mostly 2016-2017)
Esta serie consiste mayormente de material impreso, incluyendo recortes de prensa, revistas, folletos y material efímero. También incluye los borradores "La huida" y "Little Odessa" de Cozarinsky, cartas, postales, invitaciones y una agenda.
Esta serie contiene material audiovisual relacionado mayormente con la obra de Cozarinsky. Incluye CDs, DVDs, DATs, VHS y audiocassettes.
"Raptos (CETC)", 2005
"Filmación '…' 1970", 1970
"Vanína", sin fecha
"Past Days 1", sin fecha
"scans on film", sin fecha
"madre", sin fecha
"T shirt", sin fecha
"18/6 Biodrama", sin fecha
"Musique de Carlos Franzetti pour Dans le rouge de couchant film de Edgardo Cozarinsky", 2003
"Ronda Nocturna", sin fecha
"Viennale Okt. 2010", 2010
"trecho passage", 2006
"Adormecidos - Asleep", 2011
"Audiovideoteca de Escritores de Buenos Aires. Programa - Obra en construcción Cozarinsky", 2005
"For 2005", 2005
"www.flycam.com", sin fecha
"ABC Cozarinsky", sin fecha
"Raptos", sin fecha
"Soviet Echoes", 1995
"Minotauro 1", sin fecha
"Minotauro 2", sin fecha
- Scope and Contents
The papers include the working files of Argentine filmmaker, producer, screenwriter, novelist, critic, theater director, and playwright Edgardo Cozarinsky.
A large portion of the papers include scripts, shooting schedules, printed press, on set photographic stills, subtitle translation texts, audiovisual materials, general reference, and accounting files pertaining to Cozarinsky's film work. Drafts and printed materials of his theater productions and writing publications are present as well. Correspondence from various friends and collaborators including Néstor Almendros, Adolfo Bioy Casares, Guillermo Cabrera Infante, Ronald Christ, Frances Korn, Silvina and Victoria Ocampo, Alejandra Pizarnik, Manuel Puig, Severo Sarduy, Susan Sontag, and Julián Ríos, among other individuals, is also present. Other materials include photographs; personal items such as address books, notebooks, planners; printed and ephemeral matter from film festivals; articles and interviews about Cozarinsky; and a newspaper and magazine research collection of varying subject matter that includes articles about Argentine culture, film history, and Jorge Luis Borges. Additional materials consist of printed matter, including press clippings, magazines, brochures and ephemera. It also includes Cozarinsky's drafts, "The Flight" and "Little Odessa", letters, postcards, invitations, and a diary. Also included are audiovisual materials related primarily to Cozarinsky's work.
When possible, Cozarinsky's original folder titles were maintained which demonstrate his use of French, Spanish, and English.
- Collection Creator Biography:
Cozarinsky
Edgardo Cozarinsky is an Argentine-born film director, producer, screenwriter, novelist, critic, theater director, and playwright. He was born on January 13, 1939 in Buenos Aires. His grandparents migrated to Argentina from Kiev and Odessa in the late 19th century. He studied literature at the University of Buenos Aires and began publishing essays on film criticism. In 1959, he formed friendships with Silvina Ocampo and Adolfo Bioy Casares, who introduced him to Jorge Luis Borges. Cozarinsky would later go on to direct films and write about Borges extensively, publishing Borges y el cine in 1974 with subsequent editions and translations.
He began his directing career with the experimental film "..." (Puntos suspensivos) in 1971. In 1974, at the height of the Argentine military dictatorship, Cozarisnky left Buenos Aires for Paris due to censorship and creative repression. In Paris, he devoted most of his creative pursuits to film.His film oeuvre spans more than four decades and includes feature-length and short films, fiction and "essays" written and produced in French, Spanish, and other languages. His film work includes Les Apprentis Sorciers (1976), La Guerre d'un seul homme (1981), Autoportrait d'un inconnu – Jean Cocteau (1983), Haute Mer (1984), Pour Mémoire – Les Klarsfeld, une famille dans l'Histoire (1985), Sarah (1988), Guerreros y cautivas (1989), BoulevardS du crépuscule (1992), Scarlatti à Séville (1994), Citizen Langlois (1994), La barraca: Lorca sur les chemins de l'Espagne (1995), Le Violon de Rothschild (1996), Fantômes de Tanger (1997), Le Cinéma des Cahiers (2000), Tango-Désir (2002), Dans le Rouge du Couchant (2003), Rond Nocturna (2005), Apuntes para una biografía imaginaria (2010), Nocturnos (2011), and Carta a un padre (2013).
Cozarinsky's other creative pursuits include theater production. In 2005 he wrote and directed Squash and a mini-opera titled Raptos. He has also appeared as a performer, along with his oncologist in Vivi Tellas's "documentary theater," titled Cozarinsky y su médico. In 2008 he started work on the libretto for a chamber opera with the musician Pablo Mainetti, Ultramarina, based on his own novel El rufián moldavo.
He is the recipient of the Premio Konex (2004, 2014) and Premio Cóndor (2004, 2011). He splits his time between Paris and Buenos Aires.
- Acquisition:
Purchased from Edgardo Cozarinsky in 2016 (AM 2017-8), (AM 2017-21), (AM 2017-32), (AM 2018-68).
This collection was purchased (in part) with funds provided by the Program in Latin American Studies (PLAS).
- Appraisal
Non-unique, printed materials such as copies of newspapers, books, and journal publications were removed from the collection during the 2017, 2022 processing.
- Processing Information
This collection was processed by Elvia Arroyo-Ramirez in August 2017 with the assistance of Rachel Dubin and Julia English. Finding aid written by Elvia Arroyo-Ramirez in August 2017.
Additional materials processed by Armando Suárez in November 2022.
- Conditions Governing Access
The collection is open for research.
- Conditions Governing Use
Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.
- Physical Characteristics and Technical Requirements
For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.
The audiovisual materials in this collection have not yet been processed, and are therefore not available for research.
- Credit this material:
Edgardo Cozarinsky Papers; Manuscripts Division, Department of Special Collections, Princeton University Library
- Permanent URL:
- http://arks.princeton.edu/ark:/88435/2n49t457z
- Location:
-
Firestone LibraryOne Washington RoadPrinceton, NJ 08544, USA
- Storage Note:
- This is stored in multiple locations.
- Firestone Library (scamss): Boxes B-001000 to B-001065, L-000019, P-000093
- ReCAP (scarcpxm): Box 1-8