Search Results
Box 5, Folder 4
Includes sleeved slides removed from blue binder.
Box 93, Folder 3-6
Includes a bound autograph musical score Odysseus and Christ with a handwritten dedication to Friar by Norman Monath; a musical score of Antipolis by Herbert Waltl based on The Odyssey: A Modern Sequel in English translation by Friar; clippings of Greek and English newspapers regarding Kazantzakis' work, life, and death.
Box 28, Folder 22-24
Includes materials that were removed from their original context by users of the collection before its arrival at the library, as indicated by a note in the first folder.
Box 65
Photographs donated in January, 2019 by Deirdre (Randall) Petree, who was Fischer's editorial researcher between 1959 annd 1971.
Box 23
Prints were removed from a folder labeled "pix from slides."
This series contains photographs of Blackmur throughout his life, including press photographs and photographs and slides from his European travels. Also included are drawings of Blackmur as well as artwork he collected. In addition, this series contains sound recordings of Blackmur reading his poetry, as part of a recorded poetry and literature intiative for the Library of Congress.
Box 77, Box 78
Consists of eight 3 x 5" bibliographical card files Florovksy kept with notes and reference information on various texts he studied, primarily in the areas of philosophy, religion, and church history, and they appear to pertain to a combination of books Florovsky personally owned and those he borrowed from libraries. Information written on the cards is in multiple languages, including English, French, Spanish, and Russian. Some card file boxes contain index cards at the end that list additional information about each file's contents.
This series includes any photographic work and publications produced by Ruth Bernhard that are included with the papers, as well as publicity materials related to her activities as a professional photographer. This series documents the appearance of Bernhard's photographs in her own portfolios and monographs, as well as in major publications, advertisements, and exhibitions, with a single image often appearing and reappearing in these various contexts throughout its lifespan. Some items, such as her publicity folios, provide both evidence of her photographic work in print, as well as her efforts to promote and publicize it. Due to this overlap, and to the fact that Bernhard often stored these materials together, this series includes both works and publicity in order to preserve context.
