Contents and Arrangement Collection View
Description:

Consists of drafts of both individual works and full-length books and book projects by John Ennis in various stages of completion, along with proofs, poem lists, notebooks and loose notes, source materials, research, photographs, cover designs, publicity materials, reviews, correspondence, and press clippings related to Ennis's writings. While the vast majority of materials relate to his poetry, both published and unpublished, a smaller number pertain to musical works created in collaboration with composer Eric Sweeney for which Ennis composed lyrics, drafts of unpublished short stories from the 1970s, and Ennis's 1997 PhD thesis on the use of myth and archetypes in his own poetry.

Materials related to Ennis's poetry are split into three file groups: those arranged by poetry collection, those arranged by individual poem, and notebooks and loose notes containing drafts of various poems. Other materials are arranged into file groups by type of writing.

Description:

From 2002 to 2009, John Ennis co-edited a trilogy of anthologies of Canadian and Irish poetry and one anthology consisting entirely of Canadian poetry. Ennis's interest in Canadian poetry initially grew out of his responsibility as the Head of the School of Humanities at the Waterford Institute of Technology to further the college's overseas relationships, and in particular, to revitalize the long-standing cultural ties between Ireland's South-East region and Newfoundland and Labrador in Canada.

Arranged by anthology in chronological order.

Description:

Consists of correspondence of John Ennis from the 1960s through the 2010s, much of which has to do with matters related to poetry, both his own work and the work of others. Correspondents include fellow poets and authors, editors, publishers, and friends. Among them are Seamus Heaney, John F. Deane, Des Hogan, Dennis O'Driscoll, Brendan Kennelly, Macdara Woods, Neil Jordan, Michael Hartnett, Chris Agee, Noel Monahan, Seán Dunne, Paul Durcan, Frank Ormsby, Padraic Fiacc, Seán Lucy, Francis Stuart, Michael Longley, Peter Fallon (The Gallery Press), David Marcus (New Irish Writing, The Irish Press), James and Janice F. Simmons (The Poets House, Ireland), and others. There are both incoming letters, as well as copies of outgoing letters, often in the form of handwritten drafts.

Arranged alphabetically by name of correspondent.

I, 1990

1 folder
Description:

Irish poet and novelist John F. Deane founded Poetry Ireland (Éigse Éireann), a Dublin-based nonprofit organization dedicated to promoting and supporting poetry throughout Ireland, in 1978. John Ennis was a founding member of the group, as well as an executive member for the first eleven years. In 1988 and 1989, Ennis also served as an editor for issues 22, 23, 24, and 25 of the Poetry Ireland Review, a literary journal published by the organization three times per year. Materials present in this file group include correspondence with directors of Poetry Ireland, as well as with poets and reviewers submitting work, agendas for meetings and related planning documents, draft manuscripts for the issues of the Poetry Ireland Review that Ennis edited, copies of newsletters and mass mailings to members and directors, letterhead and rejection slips, advertisements and event announcements, and two of Ennis's membership cards from 1979 and 1980. These files shed light on the organizational dynamics of Poetry Ireland from its inception through the 1990s, as well as on Ennis's editorial work for the Poetry Ireland Review.

Arranged by material type.

Description:

During his career as a poet and administrator, Ennis also served as a facilitator for creative writing workshops and courses, including a creative writing group for the Liberal Studies Program at Waterford Regional Technical College, where he was the Head of the School of Humanities. Materials consist primarily of reading assignments (some of which are heavily annotated) and notes for lectures or discussions, along with some copies of assignments and drafts of his own poems, which were likely used as examples. Topics include the basics of composition, as well as specific forms including poetry, novels, and short stories. Though the majority of materials in this file group are undated, most are likely from the late 1970s through the 1980s.

Arranged by topic.

Description:

Consists of drafts of writings by others that John Ennis accumulated throughout his career. These include drafts of the work of known poets such as Eavan Boland, Thomas Kinsella, and Medbh McGuckian, mostly collected through Ennis's involvement in the selection of poetry collections for Poetry Ireland's book club, Poetry Ireland Choice (PIC); as well as writings by poets and authors, such as Chris Agee and Stephanie McKenzie, whom Ennis mentored informally or through his work as a creative writing workshop facilitator. In addition, there are some book-length drafts of poetry collections and longer works submitted for Ennis's Irish-Canadian anthologies. Drafts are occasionally annotated or accompanied by related letters, clippings, and other printed materials.

Arranged alphabetically by the name of the author.

Description:

Subject files consist of miscellaneous topical files containing documents, printed materials, correspondence, clippings, and notes, related to various aspects of Ennis's professional career. Materials pertain to organizations with which Ennis was involved, including the Waterford Institute of Technology (Waterford Technical College) and regional and transatlantic arts organizations. There are also biographical materials profiling Ennis and his career, awards he received, press catalogs from his publishers, and clippings and printed materials he collected on various topics.

Arranged alphabetically by subject.

Description:

Consists of audiovisual and digital media collected by John Ennis, including 50 audiocassette tapes, 2 VHS tapes, and 1 3.5" floppy disk of various content, such as recorded interviews, poetry readings, lectures, and events, as well as several commercial recordings. Some recordings appear to pertain to Ennis's own work, while others relate to the work of other poets and writers. While additional audiovisual materials are also occasionally present elsewhere in the collection, these materials were received as a group from the collection creator and were maintained as such. Titles and dates for individual items were taken from information written on physical media, but materials are otherwise unidentified. Most are undated.

Not arranged according to any arrangement scheme.

Scope and Contents

The papers consist of Irish poet John Ennis's writings, working files related to his role as an editor of four anthologies of Irish and Canadian poetry and the Poetry Ireland Review, correspondence pertaining to poetry and other professional activities, files of the Irish arts organization Poetry Ireland, teaching materials, drafts of writings by others, subject files, and audiovisual and digital media. Materials span the length of Ennis's career of over five decades as a poet and literary editor and also document to a lesser extent his work as a creative writing teacher and university administrator.

Ennis's writings include manuscript and typescript drafts, proofs, publicity, source materials, and other papers related to his published poetry and unpublished work from the late 1960s through 2016. While most of this material pertains to Ennis's poetry, there are also drafts of lyrics he wrote for musical collaborations with composer Eric Sweeney and unpublished short stories, as well as a bound copy of Ennis's PhD thesis on the use of myth and archetype in his own work. Additional editorial files document the conception, assembly, and publication of the four anthologies of Irish and Canadian poetry Ennis edited between 2002 and 2009; these files consist of correspondence, submissions, permissions, drafts, proofs, editorial notes, publicity, and financial documents.

Ennis's papers also include materials documenting the activities of Poetry Ireland from its inception in 1978 through the 1990s, as well as its journal Poetry Ireland Review, which Ennis edited from 1988 to 1989; correspondence with fellow poets, editors, publishers, and colleagues; readings, handouts, and lecture drafts from Ennis's tenure as a creative writing lecturer and workshop facilitator; drafts of writings by others that Ennis collected throughout his career; professional subject files containing correspondence, documents, and printed materials related to Irish poetry and various local and international organizations with which Ennis was involved; and a small number of recorded poetry readings, interviews, and other events.

Collection Creator Biography:

Ennis

John Ennis was born in Westmeath, Ireland, in 1944. He is a graduate of University College Cork and University College Dublin, where he completed his MA in English and American Studies. Ennis's first book of poetry was published by Peter Fallon of the Gallery Press in 1976 and won the Patrick Kavanagh Award. He has also won the Listowel Open Poetry Competition eleven times and the Irish American Cultural Institute Award in 1996. In addition to publishing nineteen books of poetry between 1976 and 2016, Ennis has been editor of Poetry Ireland Review, and served on the board of Poetry Ireland for eleven years. Ennis also worked for forty years at the Waterford Institute of Technology as Lecturer and Head of the School of Humanities. At Waterford, Ennis received his PhD in 1997, and also served as Chair of the Centre for Newfoundland and Labrador Studies. From 2002 to 2007, he co-edited three anthologies of Irish and Canadian poetry, and edited a further all-Canadian anthology in 2009. In 2008, he was awarded an Honorary Doctorate in Laws by Memorial University of Newfoundland, for fostering links between Ireland and Newfoundland, and for his poetry. Ennis retired from education in 2009 and now focuses on poetry and activism. He divides his time between Waterford and Westmeath.

Acquisition:

Purchase, 2017 (AM 2017-131).

Appraisal

No materials were separated during 2017 processing.

Processing Information

This collection was processed by Kelly Bolding in Spring-Summer 2017, with assistance from Kathryn Antonelli, Julia English '19, Fiona Bell '18, Sophia Alvarez '18, and Rachel Dubin '17. Finding aid written by Kelly Bolding in Spring-Summer 2017, with assistance from Julia English '19.

Conditions Governing Access

Open for research.

Conditions Governing Use

Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.

Physical Characteristics and Technical Requirements

For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.

Credit this material:

John Ennis Papers; Manuscripts Division, Department of Special Collections, Princeton University Library

Permanent URL:
http://arks.princeton.edu/ark:/88435/qz20sw374
Location:
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Storage Note:
  • Firestone Library (scamss): Boxes B-000912 to B-000990